Discussion of the Film Vagabonde by Agnes Varda

Vagabonde possesses many themes which when viewed on the surface be about invisible. However, when a closer post-mortem means of analysis is adopted they soon become clear and to a greater extent distinguished. The themes included in this b depart are Mystery, Jealousy, seclusion, Independence and ultimately, Tragedy. We discipline the themes develop in confront of us individually as the cinema progresses, only when as the viewer, we only become certified of the super-structure by the end of the lead. We see from the start that ultimately the move ends in tragedy only when are curious as to why this woman is fraud dead in a ditch.\n\nThe two themes: Tragedy and Mystery, generate together in the film. The film opens with an physique of a four-year-old girl fiction in a ditch cover in mud. This image is visually shocking and instantly provokes a reaction from the viewer. The reaction moldiness vary from nearone to person but ultimately it creates distinguishing characteristic and sympathy. The director invites the audience to participate in uncovering of the riddle surrounding the life of a dead woman. On the surface, Vagabonde is a deceptively simple story. The film opens with the image of a arctic female corpse and a narrator (Varda) tells the audience that what follows are interviews with the people who knew her in the last weeks of her life. Through interviews and flashbacks the viewer learns how this teenage woman ended up in a ditch, but not why she started her nongregarious journey. The films main concern is the reaction of people to the drifter, not her psychology. Varda uses early(a) peoples memories to construct an image of the drifter. Loneliness is communicated instantly by the filmy fact that this woman is lying alone with no possessions in a small crossroads and no one knows her. If she was a resident she would be recognize and if she was from a family out of town, indeed surely she would have some belongings with he r. It is Vardas conception to portray this tragic image of isolation. The structure of the film is back up by the way in which the story develops, i.e. through a series of interviews and documentary grammatical case monologues.\n\nFrom the outset, Varda establishes that she is using the accounts of witnesses to build a portrait of Mona, but as the film progresses it becomes evident that these interviews wear out more...If you want to get a full essay, order it on our website:

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